|Directed by||Vikas Bahl|
|Produced by||Anurag Kashyap|
|Screenplay by||Parveez Shaikh|
|Story by||Vikas Bahl|
|Music by||Amit Trivedi (Music Review Here)|
|Editing by||Abhijit Kokate|
|Distributed by||Viacom 18 Motion Pictures|
Bollywood Hungama (Taran Adarsh):
QUEEN is about a shy and timid girl who travels to Paris and Amsterdam for her honeymoon all alone, when her beau calls off the wedding at the last minute. A quirky concept, yes. But this coming of age story is indeed enjoyable, despite the hiccups. On the whole, QUEEN reinvents the genre with its non-formulaic screenplay and skilled direction. A charming little film, this one's made with heart and feeling and it shows. Absolutely recommended! Rating 4/5Indicine:
Queen does what English Vinglish did, and takes it a step further with its realism and the portrayal of comedy on tragedy. Queen (thanks to the brilliance of the director) never quite forgets where it came from and where it has to go. And that is what makes Queen such a fantastic little watch. It thrives on its predictable start and makes a European meal out of its failings but it never forgets the taste of Gol Gappas. Queen is one of the best films to have released in the recent few years with a woman headlining the act. You would not want to miss out on such a sumptuous film because the aftertaste lingers on even longer than the runtime of the film itself. Rating 4/5Rediff (Raja Sen):
This is a story of girl meets girl, and you should know upfront that this is not a love story. Unless, of course, we refer to the relationship between the audience and the protagonist. Because I dare you to watch Queen and not fall in love with the character. Queen is a good entertainer, sure, but, more critically, it is a showcase for an actress poised to reign. This is one of those monumental moments when you feel the movies shift, and nothing remains the same. I've seen the future, baby, and it's Kangana. Rating 4/5Indian Express (Shubhra Gupta):
Bahl’s second directorial venture is a delight: his first, ‘Chillar Party’, had some spark, but nothing prepared me for this. The story, which could easily have slipped into mush, stays free of drippy sentimentality, barring one or two raised-violin scenes. And Rani is well on her way to learning the meaning of friendship and freedom in a land far away from home, where girls have to live with the word ‘allowed’. Rating 4/5Bollywood Life (Prateek Sur):
It is impossible to not fall in love with Kangana’s performance as this is possibly her best performance till date. You would be glued to your seats till the last credits roll out, which by the way have been done in The Hangover style. You will get to see the parts you missed in the film by means of photographs and video snippets at the very end. In simple terms, Kangana’s acting prowess has proved that she is a ‘Queen forever’! Rating 5/5NDTV (Saibal Chaterjee):
This is a film that is no less tangy than the gol gappas that Rajouri Garden girl Rani Mehra rustles up in an Italian pizzeria in faraway Amsterdam. The bright and breezy Queen does not require even “two minutes” to work its magic. It hits its straps from the very outset. Queen is spicy, balmy and uplifting. Like good gol gappas, it leaves a zesty aftertaste that lingers on until long after the ride has ended. It warms the heart and tickles the funny bone with equal force. Rating 4/5Times Of India (Meena Iyer):
Kangana Ranaut's performance is outstanding. Whether she's crestfallen or ecstatic, selling golgappas or naively buying sex-toys, hiding her infatuation for an Italian restaurateur or showing deep dejection about her wimpy beau Vijya (Rajkummar Rao), she's a class act. Lisa Haydon and Rajkummar Rao lend good support. But this film belongs to its director Vikas Bahl. Rating 4/5Mumbai Mirror (Rahul Desai):
Director Vikas Bahl (Chillar Party) has crafted one of the better coming-of-age tales in recent times. Expanding on the admirable 2014 motto of Women's Empowerment, Queen's chief strength lies in its authenticity and littler details, right down to the fading henna patterns on Rani's hands.Queen almost defies its bloated running time. I say 'almost' because one too many moments of enlightenment are piled on towards the end, none of which are surprising. This is instantly forgiven though, as soon as some very innovative end credits begin to roll. Rating 3.5/5India Today (Gayatri Jayaraman):
The delightful film tells a simple story: that of a young Indian girl from Rajouri Garden in New Delhi, dumped by her fiance two days before her wedding, who chooses to go on the prebooked honeymoon. And that is the film's beauty: its pauses, its silences, its not saying too much when it can say less. Cocoon-like, Vikas Bahl allows the woman to emerge from the turmoil, in her own way, on her own terms, and that is uniquely a mastery of his own. Rating 4.5/5DNA (Sarita Tanwar):
Except that I can see women audience relating more to this. It's not really a chick flick but yes, the actress is the protagonist here, and those films are 'generally' not considered commercially viable. But that is such a small non-problem when this movie gets everything else so right.Queen is irresistible. Highly recommended. A must-see film. You will leave the theatre with your heart humming happily. Rating 4.5/5First Post (Mihir Fadnavis):
There are two or three things that seem to not be in sync with the rest of the film’s pitch perfect balance. A few times English lines from one character are repeated (read: spoonfed) in Hindi by another character. Strangely there is not one but two endings in the film, and the second one seems shoehorned and unnecessary, because the first one does everything and does so perfectly. But all these are just small complaints, not jarring enough to make one dislike the film. So go watch it. Rating 3.5/5Koi Moi (Mohar Basu):
Have you ever watched a film that has you smile all through its run time, even when a silent tear drops down your face? Queen does that for me. Vikas Bahl eloquently traps the gradual transformation of Rani’s middle class terminology into a self assured laconic ‘thank you’. It could have been very forgettable and limp but Kangana’s poise pulls through the film marvellously. Queen is a winner and does it all in a regal style almost to give most film lovers a cinematic orgasm of sorts. Savor this one! Rating 4/5Glamsham (Martin D'Souza):
Mind-blowing. Brilliant. Awesome. Clean entertainer with a 'state-of-the-art' message for every woman... and man. Simply superb! One can go on and on tweaking adjectives to describe this stunning movie that not only enthralls you and have you holding your sides, laughing freely in some scenes, but also sends you home (male or female) with a feel-good attitude and that adrenalin rush of being one with Rani's motives and decision. Rating 4.5/5AVERAGE RATING:
Watch It Before You Die..!
0.0 - 0.9 - Better dying than watching it..
1.0 - 1.4 - Skip it..
1.5 - 1.9 - Skip it if possible..
2.0 - 2.4 - Watch only if you have nothing else to do..
2.5 - 2.9 - Only one time watch..
3.0 - 3.4 - Absolute Recommendation!
3.5 - 3.9 - A Must Watch!
4.0 - 4.4 - Watch before you die..
4.5 - 5.0 - A Masterpiece..